Sunday night is our movie night. This time we will show selections of La Commune by Peter Watkins (2000), including an English introduction.
From March through May 1871 the city of Paris was ruled by the working class. The national government was expelled from the city, and Paris was ruled by a large number of ‘communes’ and ‘assemblies’, in which the process of decision making was reformed in an egalitarian manner. A people’s army was formed (the National Guard), numerous magazines were created, in which workers could express their experiences, feminist initiatives were developed, and many attempts were planned to reform society in an anarcho-socialist manner. This radical experiment gave rise to Karl Marx and Friedrich Engels predicting that the Commune was only the first sign of the advent of the Revolution. The Commune was, according to Marx and Engels, an alternative to the nation-state, in which the people were directly involved in the governing of their society. However, the failures of the Commune, and its resulting tragic end, creates serious questions about the consequences of such radical revolutions.
In his film about the Commune, Watkins chose an unorthodox way of representing what happened: largely built up out of citations from actual publications written during the Paris Commune, the events are narrated by non-professional actors, in fact, actors who, in real-life, are as close as possible to the contemporary repressed class of society. The actors participated in writing and selecting their own lines for the movie, in order to create a bridge between 1871 and the present. This connection of the historical events with contemporary society is also highlighted by the reflections on the role of the media: a fictional television network “Commune TV” covers events and frequently points to both the film’s own artificial character, as well as to the role of the media in contemporary society. In one scene, Commune TV interviews a journalist:
So you’re completely fictitious?
Completely!
I’m in this film as a witness to the role of the press in this revolutionary process.
The film’s length, in total, is more than 6 hours. We have taken the horrible and barbarous decision to show a selection of scenes from this film, lasting about two hours. In the introduction to the film, we will try to give some historical background to the Paris Commune, as well as a defense of the selection of scenes. Afterwards, the audience can voice its complaints by either demanding more footage, or suggesting an alternative date on which we can screen the whole film.